

| The most exciting time for me in the whole screenwriting process
is to have taken a class in writing screenplays and to have a panel
reading in that class. Everyone in the class has to pick a scene
from their screenplay and have a panel of people read it aloud to an
audience consisting of the rest of the class. All participants in the class have an opportunity to be the author, the actor and the audience each in their own turn. After the reading, each student’s script is discussed. This has got to be one of the best experiences in writing I have ever had especially for writing comedy. In comedy, you know immediately if you’ve got winning dialog just by whether you get the laugh or not. Not everyone can achieve this so don’t be discouraged if you don’t get a laugh. That is what your group can help you figure out afterward, this is where the brainstorming comes in. Comedy is difficult to write. You have to have a good sense of timing. It seems with comedy, you either have a gift for it or you don’t. The trick here is to do these group readings regularly with a line of progression happening in the film writing process. The idea is to have a whole screenplay at the end of it all. It doesn’t matter if it is two people or a whole group of people, but do meet with your partners, meet regularly and do your writing in between. At the end of a few months you will have something to show for your efforts. It’s all in the rewrite. Rewriting will be the Bain of your existence as a writer but you will eventually find out that it is a process that pays off greatly in the end. Additionally, you will want to save your drafts from each rewrite because you may want to refer to them later, so try to keep each version complete. Once you have it on paper, tell your story to you parents, your wife, your kids, your sister or brother, your best friend and just about anybody that knows you intimately. Observe their reactions. If they are negative don’t worry, move onto telling a friend or someone else that may be more objective. Be careful how you tell your story because you are not in the business of giving away your ideas for free however, do tell it or parts of it and see how people react. You do not tell stories or write screenplays in a vacuum. You must want at some level to please the public, therefore you must have some sort of an arena for you to gage how effective your story is. I wrote a screenplay for class and I felt very passionate about it. I was very excited to hear what would happen after it was read by a panel of students in my class. The reaction to the reading was a split, one half of the class loved it and the other half had a big reaction to it. It made them uncomfortable and they didn’t like it. They all had loud opinions about the script. |

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